How Sony Pictures Imageworks created a real-time thriller for Netflix’s Love, Death + Robots using Unreal Engine

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It's like I said.. ultimate goal is to make a realtime photoreal CG film. It's not there yet. Even in this documentary, I can see the SSS shading on the skin that's not up to VFX levels. The harder problems are still a ways from now but it's getting there!
 
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